Edward Kumiega
Edward Kumiega is known for Girl in the Picture (2022).
Edward L Reyna
Edward played Marc Antony in a scene for Will Geer's Theatricum in the summer of 2015. He studied drama with playwright Rick Mitchell at Cal State Northridge in 2014. He has lived his whole life in the San Fernando Valley, and currently resides there. When not acting, he enjoys reading from the Western canon.
Edward L. Cahn
Edward L. Cahn was an American second-feature director of Polish ancestry. His brother Philip Cahn worked in the industry as editor. Edward worked in films from 1917 as a production assistant. He later joined his brother in the cutting room of Universal, eventually becoming one of the studio's top editors (he did the last-minute re-cuts of the prestigious war drama All Quiet on the Western Front (1930)). From 1931, Cahn assumed the director's chair, turning out cheap and cheerful crime melodramas and comedies. He became a mainstay of the MGM shorts department from 1935-49. Having gone pretty much unnoticed, his directing career began to pick up in the 1950s. Ever conscious of public demand, the imperturbable pipe-smoking Mr. Cahn turned his attention to trendy teenage rebellion films and schlock science-fiction (with a special penchant for zombies). His films during this period range from the sublime to the absurd, from the inspired to the ridiculous. Some are bad enough to be (almost) enjoyable (particularly after a glass of wine or two). Point in case: Creature with the Atom Brain (1955), which somehow manages to combine mobsters, Nazis, zombies and atomic power, all in one package. Just as awful was The She-Creature (1956), featuring the lovely Marla English reverting into an extremely silly looking anthropomorphic sea monster (Cahn was able to re-use the same papier-mâché-and-plastic creation for the equally inept Voodoo Woman (1957)). Rather more fun (though little more than a pastiche of The Mummy (1932)) was Curse of the Faceless Man (1958), in which a 2000-year-old calcified creature found near Pompeii returns to life to claim a lost love. Invasion of the Saucer Men (1957) was unintentionally funny, but at least featured decent creature effects. Sadly, dialogue and script were corn straight off the cob. It! The Terror from Beyond Space (1958) was arguably the best of Cahn's offerings (it was said to be the inspiration for Alien (1979)). It was tautly directed and (as so often happens) only let down at the end by the monster being revealed as just another guy in an unshapely rubber suit. The Four Skulls of Jonathan Drake (1959) resumed Cahn's preoccupation with zombies and voodoo. At the center of the plot is an evil head-shrinking Swiss anthropologist (a suitably sinister performance by the brilliant Henry Daniell) who just happens to be a reincarnated Ecuadorian witch doctor. Unfortunately, though there is some visual style to the enterprise, the film as a whole can only be described as tame. Cahn maintained an extremely prolific output through the early 1960s, working for AIP and United Artists on westerns and teen exploitation dramas right up until a year before his death at the age of 64.
Edward L. Green
Edward L. Green is an actor, known for Savageland (2015), Distraction (2013) and Air Collision (2012).
Edward L. Montoro
A pioneer of independent filmmaking, exhibition and distribution, Edward L. Montoro remains one of the most notorious film producers in the motion picture industry and has since become an enigma of sorts in Hollywood after his mysterious disappearance in 1984. Originally from Cleveland, Ohio, Montoro had planned a career as an airline pilot, but that dream ended in 1968 when he was in a major plane crash. He decided to change career options from pilot to filmmaker. He founded Film Ventures International (FVI) in 1969, in Atlanta, Georgia and thus helped form the early stages of film production in the State of Georgia. Later in his career, Montoro was also appointed by then-Governor Jimmy Carter to the Georgia State Film Commission. Montoro directed and produced his first film, a "sexploitation" comedy entitled Getting Into Heaven (1970), which had some impact with audiences. That started Montoro on his lengthy career as a producer/distributor, usually of exploitation films, "B" horror pictures and Italian westerns and crime thrillers, which although shot cheaply managed to rake in impressive box-office receipts. Montoro's first major hit was the Italian import "spaghetti western" Boot Hill (1969), and four years later he hit it big again with another Italian import, a ripoff of The Exorcist (1973) called Beyond the Door (1974), starring Juliet Mills. Although the film was a hit with audiences, earning $9 million at the box office, "The Exorcist"'s distributor, Warner Brothers, filed suit against Montoro and FVI, claiming copyright infringement. However, the lawsuit was eventually dropped after it was discovered that Warner Brothers had no rights to some of the key scenes depicted in its film. Montoro's most successful effort as a producer was Grizzly (1976), a ripoff of Jaws (1975) but with a bear instead of a shark, starring Christopher George and Richard Jaeckel. The film, directed by William Girdler, became one of the most successful independent films of that year, earning over $30 million (on a budget of $750,000) worldwide. However, Montoro's decision to keep the profits for himself led director Girdler and the film's producers to file a lawsuit. Girdler returned the following year to direct Day of the Animals (1977) with an all-star cast, also produced by Montoro. The film wasn't a major hit, and Girdler and Montoro parted ways after it was released. Montoro continued making some impression with films such as Shock (1977), Hometown U.S.A. (1979) and The Dark (1979), all of which were not widely released, playing only to limited theaters. In 1980 Montoro picked up the Italian film The Last Shark (1981) and it was released in the United States. Although he put several million dollars into advertising, Universal Pictures felt that the film was too derivative of its monster hit "Jaws" and filed suit. The court agreed, and "Great White" was pulled from theaters. Although the suit cost several million dollars, it wasn't enough to cause Montoro and FVI to go bankrupt. He still had successful films that were getting impressive box office numbers, including The Incubus (1982), Vigilante (1982), They Call Me Bruce? (1982) and Kill and Kill Again (1981). In 1982 Montoro formed a "sister" company to FVI, Artists Releasing Corporation, which helped to release such films as Mortuary (1983) and The House on Sorority Row (1983), neither of which mad much impact at the box office. Mutant (1984) was the last film produced by Edward Montoro. It opened in 1984 to some success, but it didn't recoup its costs and resulted in the demise of Film Ventures International. After the release of "Mutant", Montoro was in the middle of a messy divorce from wife Joan, and she wound up becoming entitled to half of everything he owned, including Film Ventures International. Montoro was also very ill for several months and stayed at the Cedars-Sinai Medical Center in Los Angeles. Shortly after his recovery and release he took several million dollars from Film Ventures International's coffers and vanished, never to be seen again. The company was left in the hands of four executives, who tried desperately to keep it running, but it finally collapsed in 1985 later being taken over out of Chapter 11 bankruptcy by Irv Holendar's broadcasting company, Independent Network Inc. What remains of Montoro's legacy to this day are his movies that he both produced and distributed which have largely grown cult followings to a new generation of film buffs; the expansion of film promotion in the State of Georgia today which was largely "pioneered" by Montoro; and finally continued speculation as to what really happened to him.
Edward L. Plumb
Edward L. Plumb was born on May 25, 1956 in U.S.A. He was a producer and writer, known for The Pod (2017), Tales of Frankenstein (2018) and The Silicon Assassin Project (2012). He died on March 5, 2021 in Burbank, California, USA.
Edward Latham
Edward Latham is an actor, known for You Were Never Really Here (2017).
Edward Lau
Edward Lau is an actor, known for Babyteeth (2019).
Edward LeSaint
Edward LeSaint was born on December 13, 1870 in Cincinnati, Ohio, USA. He was an actor and director, known for Modern Times (1936), Merely Mary Ann (1920) and Only a Shop Girl (1922). He was married to Stella Razeto. He died on September 10, 1940 in Los Angeles, California, USA.
Edward Lee Cornett
He got the "bug" in high school and continued on from there. He attended Ohio University for Theater and then moved on to CSU in Cleveland Ohio to earn a BA in dramatic art. He trained with J.J. Garry, Jr., artistic director of the Playhouse Square Association as well as Richard Oberlin, then Director of the Cleveland Playhouse. His acting passion and career was sidelined while attending Ohio University to earn his medical degree. However he continued to stay in "the game" by performing in "The Normal Heart" at the Cleveland Playhouse under the direction of J.J. Garry Jr with William Rhys, then Director of the Cleveland Playhouse following the death of Richard Oberlin. He currently works as an actor and emergency medicine physician.
